Last week the internet spontaneously combusted at some news from Uli Behringer that his company was thinking about developing a cheap ($400) Minimoog Model D clone. Ok, that may be a little bit of an exaggeration but the salt was definitely flowing over at the Gearslutz forum and it’s safe to say that Mr Behringer sure knows how to split people into two distinct camps. His following comment rubbed some people up the wrong way:
“Many people have asked us to revive synth jewels from the past and make them affordable so everyone can own one. This very much resonates with me because when I was a kid, I spent hours in stores playing and admiring those synths – however I couldn’t afford them which was tremendously frustrating.
Frankly, I never understood why someone would charge you US$ 4,000 for a MiniMoog, when the components just cost around US$ 200.”
I actually see a lot of merit in this and hot on the heels of the success of the Deepmind12 I see no reason why the company shouldn’t use the engineer talent from MIDAS for every good use they can possibly think of. I highly doubt with that level of talent on-board that they will settle for simple clones, the Juno 106 clone that slowly transformed into the DM12 is a prime example of this train of thought.
Anyway, I digress. On one hand we have a group of people who think that this behaviour is total sacrilege. More so coming from Uli’s company who have the manufacturing facilities and buying power to make this cheap Model D a reality. Certain commenters have been quite vocal about this being a case of big B throwing a serious spanner in the works for the smaller boutique companies who simply cannot compete in terms of buying power and manufacturing cost – especially as Moog have reissued the Model D recently themselves.
On the other hand we have struggling musicians and those who don’t care what badge a piece of gear has, as long as it sounds good and they can afford it then its a win-win. After all the posturing and proverbial mud slinging, Uli posted a gorgeous little render of a Eurorack compatible Model D clone…and with it the internet fire seemed to be suffocated by the lack of oxygen due to the communal gasps.
Some of the staunchest naysayers on the thread seemed to relax a little once Uli revealed it wasn’t going to be just a cheap 1:1 clone. Among the ashes of the weeks bickering and moderated comments, there were posts that say Behringer may have plans for another 20 synths. Wait, what?!
Fast forward a week, Uli has now teased that the OSCar and ARP 2600 are high on the priority list and I am personally over the moon! He left this comment on Gearslutz last night
“Aside from the Oscar synth, I can confirm that the 2600 is high on our priority list as it is a truly remarkable synth; I always wanted one for myself:-)
We are currently trying to acquire an original unit for benchmark purposes.
We hope we will be able to show you a first design draft within the next few weeks, while we’re studying the circuit diagrams to provide you with an estimated retail price.
Once ready we will reach out to you to see if there is enough interest.”
Considering I’m not rolling in dosh, I have never had the opportunity to play on any of these mythical beasts, and his projected price range is much more suitable for someone like myself. I personally don’t see these units taking any market share away from the likes of Moog as they are aimed at completely different price points and completely different customer bases that very rarely venture into each others gear territory. Uli Behringer I salute you!
For more info be sure to head over to the Gearslutz forums, unfortunately some of the more colourful posts have been moderated but these threads are still a fantastic read.
Uli’s post regarding the OSCar and ARP 2600:
If this little article has got your synth buds salivating, why not take a look at the oscillating goodness we have in store!