Tag Archives: UAD

Universal Audio – Live NAMM Webcasts with Special Guests

Universal Audio are once again webcasting their producer seminars from the Namm show this week over in Anaheim, with special guest sessions from Christian “Leggy” Langdon (The Pierces, Ed Sheeran), Mick Guzauski (Daft Punk, Pharrell Williams), Derek Ali (Kendrick Lamar, Top Dawg Ent), Vance Powell (Jack White, Chris Stapleton) and UA stalwart Fab Dupont (Jennifer Lopez, Mark Ronson).

Sessions start at 3PM (11PM GMT) Thursday and 1PM (9PM GMT ) at the weekend.

Welcome to UA's NAMM 2016 Landing Page

Session times are as follows.

Fab Dupont
Daily 4.30pm PST  (GMT-8) 

Tracking and Mixing with Next-Generation Apollos (Daily)
Watch producer/engineer Fab demonstrate the next evolution of the Apollo interface and how it can expand your studio and your sound. Featuring the Dede track, “Sun Kissed Lover.”
 
Christian “Leggy” Langdon - Live Tracking with Apollo Twin 
Daily 3.30 / 5.00pm PST
Showcase Apollo Twin and the latest UAD plug-ins.
Featuring the Jasmine Ash track, “Talking.”
 

Mick Guzauski – Recording with Apollo
Thursday 3pm, Friday & Saturday 1pm
Showcase Track with Big Data.
 

Welcome to UA's NAMM 2016 Landing Page

Derek Ali Mixing with Apollo and UAD
Friday & Saturday 3pm
Showcase Track with Kendrick Lamar.
 

Vance Powell Mixing with Apollo and UAD
Sunday 1pm & 3pm
Showcase Track with Chris Stapleton.

Follow this link for the livestream 

Discover The Universal Audio Apollo Range @ Scan

 

Universal Audio Announces Their Apollo Thunderbolt 2 Range

UAD Apollo Thunderbolt 2Another highend interface company with new goods to show off at Musikmesse is UAD with a number of Thunderbolt 2 updates to their range. Known for their co-processing abilities and great signal paths for recording, this refresh an upgrade to those superb convertors along with the ability to cascade upto 4 Apollo interfaces or 6 UAD devices total over Thunderbolt.

The are 4 different models with the following features:

Apollo 8
The Apollo 8 is shipping with both Duo and Quad processing options for your UAD powered plug ins. It features four Unison enabled mic preamps and Hi-Z inputs for tracking, complete with classic preamp emulations from Neve, API, and Universal Audio.

Apollo 8p
The Apollo 8p ships with a UAD quad processor and features eight Unison enabled mic preamps and Hi-Z inputs, allowing recordists to track larger through classic preamp emulations from Neve, API, and Universal Audio.

Apollo 16
The Apollo 8p ships with a UAD quad processor and features 16 x 16 analog I/O via DB-25 connectors making it ideal for pairing with mixing consoles and other dedicated outboard preamps.

Apollo FireWire
Lastly the Apollo FireWire which also ships with quad Processing allows systems running firewire to access the same features that are now available to Thunderbolt 2 users.

UAD Apollo Homepage

UAD Hardware @ Scan

Universal Audio Apollo 16 – Flagship Audio interface and Quad UAD DSP

Universal Audio Apollo 16 is the new flagship interface and DSP host from the original UAD DSP card Daddies. Doubling the number of analogue i/o from the previous model, it maintains an itegrated UAD Quad processor for utilising the extensive range of UAD exclusive plugins, such as the excellent Studer A800 and Ampex ATR102 tape simulators.
It also comes complete with the Analogue classics bundle, comprising of the 1176LN, 1176SE, Teletronix LA-2A, Pultec EQP-1A & UA RealVerb plugins, that have been essentials for me for years on my old faithful UAD-1 card.

a16_front_hq

Apollo 16 is Universal Audio’s flagship 24-bit/192 kHz audio interface, delivering world-class conversion with 16 x 16 analog I/O — twice the analog connectivity of the original Apollo model. This uncompromising FireWire/Thunderbolt-ready* interface combines superior sound and flexible routing with powerful onboard UAD-2 QUAD processing. So you can track audio in real time through the full range of classic UAD analog emulation plug-ins — from Neve, Studer, Manley, Lexicon and more — on both Mac and Windows 7.

With its professional connectivity and multi-unit cascading (for 32 x 32 analog I/O), the Apollo 16 sets a new standard in high-resolution recording with classic analog sound.

hardware_callouts

World-Class 24-bit/192 kHz Conversion
Apollo 16 brings a true “no compromise” approach to every aspect of its audio signal path. Building upon decades of UA hardware expertise, it features meticulous analog circuit design, top-end converters, and DC-coupled outputs — providing the lowest THD and highest dynamic range of any converter in its class. Specifically, the Apollo 16’s deep, wide soundstage, and its exceptionally open and transparent sound, makes it the ideal centerpiece for professional recording studios.

Realtime UAD Plug-In Processing for Tracking, Mixing, and Mastering
With its standard UAD-2 QUAD processing onboard, Apollo 16 allows recording in real time through UAD Powered Plug-Ins — with as low as sub-2ms latency — so you can monitor, audition, and “print” audio through stunning analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** Better still, Apollo 16’s Realtime UAD Processing is also available during mixing and mastering, so that music producers can employ UAD plug-ins (VST, RTAS, AU) throughout the creative process.

Expandable 16 x 16 Analog Connectivity with Advanced Routing
Apollo 16 boasts straightforward 16 x 16 analog I/O via convenient DB-25 connections — perfect for pairing with mixing consoles, outboard processors, cue/headphone systems, and more. Two Apollo 16 units can be cascaded over MADI for an expanded system with eight UAD processors and 32 x 32 simultaneous analog I/O, capable of handling large professional mixes. Dedicated XLR monitor outputs and stereo AES-EBU digital I/O round out the Apollo 16’s rear-panel audio connections.

The Apollo 16’s enhanced routing capabilities include four stereo Cue mixes with individually assignable outputs, and a new “Virtual I/O” feature that allows for Realtime UAD Processing of DAW tracks and virtual instruments.

Thunderbolt™ Connectivity for Macs
Apollo 16 offers compatibility with Intel’s new high-bandwidth Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card (sold separately). Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo’s standard FireWire connection.

Because Thunderbolt offers many times the bandwidth of FireWire, it allows studios to connect numerous devices in series with the Apollo interface — including hard drives, processors, and additional computer monitors — all with fast, flawless performance. Thunderbolt also makes it easy to expand UAD plug-in processing power via a Thunderbolt-to-PCIe chassis and UAD-2 DSP Accelerator card(s).

Deeper Integration with Pro Tools, Logic, Cubase and More
Apollo 16’s Core Audio and ASIO drivers ensure compatibility with all major DAWs, including Pro Tools, Logic Pro, Cubase, and more. The included Console application and companion Console Recall plug-in (VST/AU/RTAS) provide control and recall of all interface and Realtime UAD plug-in settings within your DAW sessions, even months and years later. A new “PT Mode” ensures that Pro Tools can take advantage of all 16 analog inputs/outputs for hardware inserts — and maximizes analog I/O in a multi-unit setup.

Hardware Design and Workflow
Apollo 16 boasts numerous design details that give you a fast, natural workflow — and better results. Its Monitor outputs are digitally controlled analog, so you don’t lose audio resolution when you adjust gain. More than 195 high-visibility LEDs provide full input and output metering, and with zero “hot spots” or light bleed. All front controls and rear-panel connections are professional-grade. And finally, standalone operation means that you can use Apollo’s audio connections, and last-used DSP mixer settings, even without a computer connected.

http://www.uaudio.com/interfaces/apollo-16.html

Universal Audio @ Scan

Universal Audio Apollo – Thunderbolt Audio Interface With UAD-2 DSP

The Universal Audio Apollo is first to the plate with a thunderbolt interface, although it is an optional extra, they have managed not to make this just an audio interface, but actually combine it with UAD-2 Processing power which This really differentiates it from the likes of the RME UFX, which is pretty similally specced. The Universal Audio Apollo comes in Quad or Duo varieties, refering to the number of UAD-2 DSP processors onboard.It also comes with an “analog classics” (im quoting here, everyone knows analog should be spelt analouge)

UA ApolloThe Interface is not just about thunderbolt though, it also has two firewire 800 connectors for connection to PC’s and older Macs.

Universal Audio are really gunning for the high end market with this, the converters are specced to 118dbA, and it features 4 digitally controlled analouge Mic Preamps (anyone else think this might be the That! 1570 /1571 chip combination?), as well as eight analogue io, ADAT and a pair of sp-dif connectors.

No pricing info has been released yet, but i would at least expect the cost of a RME UFX plus a UAD-2 card.


Anyway, here’s the details.

 

Universal Audio Apollo Audio Interface

  • Sample rates up to 192 kHz at 24-bit word length
  • 18 x 24 simultaneous input/output channels:
    • Eight channels of analog-to-digital conversion via mic, line, or high-impedance inputs
  • 14 channels of digital-to-analog conversion via:
    • Eight mono line outputs
    • Stereo monitor outputs
    • Two stereo headphone outputs
  • 10 channels of digital I/O via:
    • Eight channels ADAT Optical I/O with S/MUX for high sample rates
    • Two channels coaxial S/PDIF I/O with sample rate conversion
    • Two FireWire 800 ports for daisy-chaining other FireWire devices
  • 32-bit and 64-bit device drivers

Microphone Preamplifiers

  • Four high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Front panel and software control of all preamp parameters
  • Switchable low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking

Monitoring

  • Stereo monitor outputs (independent of eight line outputs)
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Front panel control of monitor levels and muting
  • Two stereo headphone outputs with independent mix buses
  • Independent front panel analog volume controls for headphone outputs
  • Front panel pre-fader metering of monitor bus levels
  • S/PDIF outputs can be set to mirror the monitor outputs

Onboard UAD-2 Processing

  • The Universal Audio Apollo DUO and QUAD models featuring two or four SHARC processors
  • Realtime UAD Powered Plug-Ins processing on all of Apollo’s analog and digital inputs
  • Same features and functionality as other UAD-2 products when used with DAW
  • Can be combined with other UAD-2 devices for increased mixing DSP
  • Includes UAD Powered Plug-Ins “Analog Classics” bundle
  • Complete UAD-2 Powered Plug-Ins library is available online 24/7

Software

  • The Universal Audio Apollo Console application:
    • Enables Realtime UAD Powered Plug-Ins processing
    • DSP mixer for realtime monitoring and tracking
    • Remote control of all Apollo features and functionality
  • Console Recall plug-in:
    • Saves the Universal Audio Apollo configurations inside DAW sessions for easy recall
    • Enables control of all front panel parameters from within the DAW
    • VST, RTAS, and Audio Units plug-in formats
  • UAD Meter & Control Panel application:
    • Configures global UAD-2 and Powered Plug-Ins settings and monitors system usage

 

Specifications

System

  • I/O Complement
    • Microphone Inputs 4
    • High-Impedance Inputs 2
    • Analog Line Inputs 8
    • Analog Line Outputs 8
    • Analog Monitor Outputs 2 (1 stereo pair)
    • Headphone Outputs 2 stereo (independent mix buses)
    • ADAT Up to 8 channels via dual I/O ports with S/MUX
    • S/PDIF 1 stereo input, 1 stereo output
    • FireWire 800 (IEEE 1394b) Dual ports
    • Thunderbolt (via Option Card) Dual ports
    • Word Clock 1 input, 1 output
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • A/D Bits Per Sample 24
    • Simultaneous A/D conversion 8 channels
    • Simultaneous D/A conversion 14 channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with four serial UAD-2 plug-ins via Console application 1.1 milliseconds @ 96 kHz sample rate

Analog I/O

  • Microphone Inputs 1 – 4
    • Jack Type XLR Female
    • Phantom Power +48V, Switchable
    • Dynamic Range 118 dB
    • Signal-to-Noise Ratio 118 dB
    • Total Harmonic Distortion + Noise –110 dB
  • Hi–Z Inputs
    • Jack Type ¼” Male (Mono TS plug required)
    • Dynamic Range 117 dB
    • Signal-to-Noise Ratio 117 dB
    • Total Harmonic Distortion + Noise –103 dB
  • Line Inputs 1 – 4
    • Jack Type ¼”Male TRS Balanced
    • Dynamic Range 117 dB
    • Signal-to-Noise Ratio 117 dB
    • Total Harmonic Distortion + Noise –107 dB
  • Line Inputs 5 – 8
    • Jack Type ¼” Male TRS Balanced
    • Dynamic Range 117 dB
    • Signal-to-Noise Ratio 117 dB
    • Total Harmonic Distortion + Noise –107 d
  • Line Outputs 1 – 8
    • Jack Type ¼” Male TRS Balanced
    • Dynamic Range 118 dB
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Signal-to-Noise Ratio 118 dB
    • Total Harmonic Distortion + Noise –106 dB
  • Monitor Outputs 1 – 2
    • Jack Type ¼” Male TRS Balanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range 115 dB
    • Signal-to-Noise Ratio 114 dB
    • Total Harmonic Distortion + Noise –103 dB
  • Stereo Headphone Outputs 1 & 2
    • Jack Type ¼” Male TRS Stereo/Unbalanced
    • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
    • Dynamic Range 113 dB
    • Signal-to-Noise Ratio 113 dB
    • Total Harmonic Distortion + Noise –101 dB

Digital I/O

  • S/PDIF
    • Jack Type Phono (RCA)
    • Format IEC958
  • ADAT
    • Jack Type Optical TOSLINK JIS F05
    • Format ADAT Digital “Lightpipe” with S/MUX
    • Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 – 8, Port 2 = 1 – 8 (mirrored)
    • Channel Assignments @ 88.2 kHz, 96 kHz Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
    • Channel Assignments @ 176.4 kHz, 192 kHz Port 1 = Channels 1 – 2, Port 2 = Channels 3 – 4
  • Word Clock
    • Jack Type BNC
    • Lock Range ±0.5% of any supported sample rate
    • Word Clock Input Termination 75 Ohms, switchable
  • Synchronization Sources
    • Internal, Word Clock, S/PDIF, ADAT

Electrical

  • Power Supplies External AC to DC Power Supply Brick, Internal DC to DC Power Supply
  • AC Connector Type IEC Male
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type XLR 4-Pin Locking Male (Neutrik P/N NC4MDM3-H)
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 6.5 amperes

Mechanical

  • Dimensions
    • Width 19”
    • Height 1.75” (1U rack space)
    • Depth, Chassis Only 12.125”
    • Depth, Including Knob & Jack Protrusions 13.5”
    • Shipping Box (Width x Depth x Height) 24” x 17” x 8”
  • Weight
    • Shipping Weight (with box & accessories) 18 pounds
    • Weight (bare unit) 9.1 pounds

The Universal Audio Apollo Homepage