Back To Black – Antelope Bring Out A New Addition To The ORION Family, The ORION32 HD

Bulgaria seems to be a bit of a busy place for Pro Audio at the moment with Antelope pushing out some absolutely fantastic gear and progressing on the software side of things at a staggering pace. The Balkan Mountains truly are alive with the sound of music…courtesy of Antelope’s pristine AD/DA conversion and supreme clocking!

Truth be told, it’s a pain (in a good way) keeping the content updated for their products, the guys and girls over at Antelope are like a machine, churning out updates to their FPGA based ecosystem of interfaces – giving their customers extra functionality and making additions to the free FPGA FX packages.

Enter the new addition to the family – the stunning looking ORION32 HD was announced at NAMM and I imagine Pro Tools HD users are pretty happy. It’s compatible with any DAW on the market via a HDX port or USB 3.0. This means no matter what you choose to use in the studio you can benefit from 64 channel 192kHz audio I/O, Zero Latency Monitoring, industry-leading AFC clocking and as you’d expect, flawless conversion. Throw in the usual plethora of connectivity such as ADAT, MADI, S/PDIF, Wordclock and mastering-grade Monitor outs and you have a beast of an interface. Now if you have a Pro Tools HD setup and a customer comes in with a laptop project made on Cubase, Logic or Presonus etc then you can simply use the USB port to integrate their project directly into your existing setup – no extra interfaces needed!

Coming back to the free FPGA FX package, if you’re not aware of it – Antelope have integrated a fine selection of free hardware-based vintage FX. The ever growing library includes hardware-based vintage EQ’s, compressors and Auraverb. The exquisite collections of Vintage EQ’s include authentic models of Lang PEQ-1, BAE 1073, 1084, 1023, UK-69 and many other classic British and German vintage units. If vintage compressors are more to your favour, how about a life-like model of the FET76 aka the legendary UREI 1176LN?

One more thing to note is the impressive software control. The routing matrix is pretty neat and even that has had some little tweaks over the last few software revisions to make it even easier to use. The control panel can be run on any machine on the network allowing for remote access to all the important stuff and as a side bonus, the control panel can be resized at will – its the little things that can make a huge difference in the right circumstances!

The ORION32 HD is available for pre-order at Scan Pro Audio, go take a look!

The Providence SDR-4 Has Returned For a Limited Run

It’s not coming soon it’s here NOW and it’s limited to 50 pedals worldwide of which we have secured 2 pedals currently in stock.

Based on the original and highly praised SDR-4, they have retained the original circuit while using updated parts. To say this pedal gives you a full sound that cuts through the band environment is an understatement.

The SDR-4 has a fast attack and an edge to its’ sound that helps create a punchy tone with a thick low mid-range.

That Fat switch is an added bonus. When engaged it raises the gain in the low frequency range which is what gives that fat, aforementioned thick tone. This is really prominent on a single coil pickup and thickens and adds power beautifully to your bridge position.

I love a drive pedal that gives you “snap” and this pedal does it. Use a pick or use your fingers or preferably use both as hybrid picking rocks!

SDR-4 @ Scan

Windows 10 – Gaming The System

The next big Windows update will be towards the end of Q.1 this year and news about some of the impending features have been cropping up for a few months now.

Last nights confirmation of the forthcoming “Game Mode ” potentially offers up a surprising number of possible advantages for the audio system user.

Essentially the game mode is designed to cushion a running program against the calls and demands of the rest of the OS. The mode looks to restrict background tasks and process calls, claims are there that it can secure threads and cores and assign them exclusively to a running program. The hope is that it can intercept all the demands of Windows and allocate them a dedicated thread or two, in order to stop them causing problems for more important software running in the foreground. For the average audio software user this could smooth the user experience further we’re all hoping it will help to eak out even more performance out of Windows 10.

With the ability to assign the game mode to specific programs so that it may change and optimize the system settings on the fly whenever you open certain .exe’s, it sounds like this might be a boon for audio system users. Comments have also been made about further development and refinement of this mode going forward which is great to hear.

The announcement this week has obviously concerned itself with pushing the features from a gaming point of view, so news with audio software in mind is currently a bit sparse. The insiders update is due to go live today however and if your signed up to the program already might be of interest to check out.

Otherwise we can expect to see this roll out in the next major W10 update which will be content creators update in Spring.

 

IsoAcoustic ISO-Pucks At Namm

IsoAcoustics decoupling stands have been a popular option with the team at Scan for quite a few years now, and with the launch of NAMM this year they have expanded their range further with an announcement of the new ISO-Puck model. Designed to isolate and support your speaker much like the larger stands, the Pucks have a far lower profile, with a height of only 1.18 inches (3cm/30mm) and compresses to just under an inch (2.5cm/25mm) when in use. At only 2.3 inches (6cm/60mm) in diameter, the ISO-PUCK’s round shape makes it flexible enough to be ideally positioned on any surface, including the narrow spaces atop a meter bridge where other stands may prove too over-sized.

For larger devices you can scale your use of the ISO-PUCK system as they are designed to be used in multiples, allowing you to match the weight of each speaker or amplifier. With each Puck capable of bearing up to 20lbs you can combine 3 or 4 of them to support the weight of the particular bulky product requiring isolation.

Much like the larger ISOAcoustic stands, the multi-part construction design of the ISO-PUCK allows it to flex and move which helps to isolate and manage the energy generated by the driver in the speaker. The ISO-PUCK features a flange suction cup on the top which adheres to the speaker or top surface, as well as a bottom suction cup flange which adheres to the supporting surface. The energy is transferred to the core of the multi-part isolator in between which is met with resistence of lateral movement giving a dampening effect to any vibration moving through the stand. Despite the changes to the form factor this still works in a similar fashion to the larger stands already available, so it should continue to offer us the markedly improved clarity along with wider and more detailed sound staging that we’ve come to expect from the IsoAcoustic range over the years.

Take a look at the IsoAcoustic range @ Scan

Audio Plug-in Subscriptions – Are they worth it?

Over recent years we’ve seen subscription models from the likes of Adobe and Autodesk in the digital media world.  Avid and Cakewalk joined the trend by introducing subscription services for their DAW software. We’re now seeing this with audio plugins as well. With software companies struggling more and more in the fight against piracy, it seems natural for them to look into more financially viable methods of selling their products. We take a look at what’s currently available in the subscription based plug-in market.

Eventide Ensemble Bundle

Includes every Eventide plug-in to date. You can put your subscription on hold at anytime and resume as and when you want. There’s also some additional benefits for those who already own any Eventide plugins. For every plugin you already own, you get a month free on your subscription. There’s a cap at 6 months but still, not bad!

It goes without saying that committing to a 12 month plan saves you money in the long run. This you’ll find this to be a common amongst these subscription models.

Pricing

Month To Month – $29.99

Annual Paid Upfront – $299.99

Go here for more info.

 

Softube Volume One

Containing 16 plug-ins valued at over $2000, Softube’s Volume 1 offers all the essential tools needed for modern-day music production,

Pricing

Month To Month – $19.99

Annual Paid Upfront – $199.99

Go here for more info.

 

Xfer Records Serum

A massively powerful wavetable Synthesizer for $9.99 a month. The great thing about this is that once you’ve paid all the installments to make up the cost of buying the plugin out-right, you own the plugin! Another great benefit is you can pause your subscription at any time and resume it again when ever you like giving you greater flexibility.

Pricing

Month To Month – $9.99 (Rent-to-own)

Go here for more info.

 

EastWest/SoundsOnline Composer Cloud

This one is obviously aimed at being an all-in-one solution for composers. Having been on the scene since the the early days of high end orchestral sample libraries I guess it makes sense that they were one of the first to offer a subscription model.

The Composer Cloud provides a vast arsenal of tools and currently offers 53 products which includes over 10,000 virtual instruments. The standard plan includes all Gold editions of their instruments. The next plan up, The Composer Cloud X plan then gives you extra mic positions for all the orchestral/choir/piano libraries. Further to this, the Composer Cloud Plus plan includes all Diamond/Platinum editions of their instruments and gives you access to the SSL/EW FX Global Suite.

There is however a cheaper option which caters for students and teachers. This is limited to 7 products of your choice. You do however have the option of upgrading to the complete plan should you want to.

Pricing

Student Plan – Month To Month – $14.99

Student Plan – Annual Paid Upfront – $161.89

Composer Cloud Monthly Plan – $29.99

Composer Cloud X – Annual Plan, Paid Monthly – $29.99

Composer Cloud X – Annual Paid Upfront – $323.89

Composer Cloud Plus – Annual Plan, Paid Monthly – $49.99

Composer Cloud Plus – Annual Paid Upfront – $599.00

It’s also worth mentioning that there’s also the option to purchase CC X and CC Plus annual licenses as a gift.

Go here for more info.

 

Waves Mercury/Silver

Waves are renowned for their vast array of plugins. The Waves Silver plan gives you 16 essential plugins and is intended primarily for home studio use. Opting for the Mercury plan will hook you up with over 150 plugins and also includes some from their Signature Series.

Pricing

Silver – Month To Month – $9.99

Silver – Annual Paid Upfront – $99.00

Mercury – Month To Month – $149.00

Mercury – Annual Paid Upfront – $1499

Go here for more info.

 

Exponential Audio Stereo Reverb/Super Reverb Bundle

Two bundles available, the second providing surround versions of their reverb plugins.

Pricing

Stereo Reverb Bundle + Excalibur – Month To Month – $29.99

Stereo Reverb Bundle + Excalibur – Annual Paid Upfront – $299.99

Super Reverb Bundle + Excalibur – Month To Month – $49.99

Super Reverb Bundle + Excalibur – Annual Paid Upfront – $499.99

Go here for more info.

 

Slate Digital’s Everything Bundle Pro

Known for their authentic analogue modeling, Slate Digital’s Everything Bundle gives you access to every plugin currently available and all futures releases.

Pricing

Annual Paid Monthly – $14.99

Month To Month – $24.99

Annual Paid Upfront – $179.88

Go here for more info.

 

Nugen Audio Producer Pack/Post Pack

Nugen Audio are offering two bundles, the Producer Pack and the Post Pack. Like with Eventide’s Ensemble Bundle, for every plugin you already own, you get a month free on your subscription. Again, there’s a cap at 6 months.

Pricing

Producer Pack – Month To Month – $29.99

Producer Pack – Annual Paid Upfront – $329.00

Post Pack – Month To Month – $59.99

Post Pack – Annual Paid Upfront – $599.00

Go here for more info.

 

OG Kush Complete

Kush already have a reputation for their unique sounding hardware. The OG Kush Complete package gives you access to every plugin currently available and all futures releases.

Pricing

Month To Month – $19.99

Annual Paid Upfront – $199.99

Go here for more info.

 

McDSP All Access

Plenty of useful EQ plug-ins in this pack. Provides access to all V6 plugins and comes in two formats – Native and HD.

Pricing

All Access Native – Month To Month – $29.99

All Access Native – Annual Paid Upfront – $329.00

All Access HD – Month To Month – $59.99

All Access HD – Annual Paid Upfront – $599.00

Go here for more info.

 

 

Le Sound Bundle

Aimed more at sound designers, the Le Sound Bundle provides access to a innovative and creative plugin suite perfectly suited for use in cinema, television and video games.

Pricing

Month To Month – €76,00

3 Month Plan – €114,00

Annual Plan – €228,00

Go here for more info.

 

Pakotec PluginPlay

Something else that’s just cropped up on the radar is Pakotec’s PluginPlay. Providing access to plugins from the likes of d16 Group, Beatskillz, Kilohearts and Soundradix with the likelihood of more being added in the future, the service allows you to work with any of these plugins for up to 10 hours per month before committing yourself to the rental platform. The service isn’t live yet but be sure to sign up for more info.

 

So, to sum up… Going down the subscription route may appeal more to people who only require the use of a particular plug-in for a given period of time. However it may not sit well with others who use these tools day in day out as it may not make sense financially. I suppose it depends on the individual’s needs. For example, if there’s a plug-in you wish to utilize for a particular project and you don’t want to fork out a shed load of money for it when you’ll only be using it a few times, the subscription route could be the way to go. You’d just use it for however long you need then end your subscription. However, if you plan to be using that particular plug-in in most projects, I can see why purchasing a perpetual license out-right might make more sense.

There are pros and cons on both sides. For hobbyists the thought of a low monthly subscription as opposed to forking out a load of cash in one go may seem more appealing. Equally it could work the other way. If you can afford to buy the software outright then why commit yourself to a monthly payment? One advantage of a subscription is the fact that you’ll always have access to the most recent updates and as stated above, some companies also include all future releases at no extra cost. On the other hand, you could argue that most professionals wouldn’t be updating through concern of things breaking. As we know, professionals tend to stick with what works!

Ultimately you’d have to decide what works best for you. As I’ve described, there are arguments both for and against subscription models. It does however seem that this is the way things are going and I’m sure most companies in the industry will be following suit.

 

 

 

 

 

Roland Announce Rubix Line Of Audio Interfaces

Roland have announced their new line of portable USB audio interfaces for Mac, PC and iPad. The Rubix line consists of 3 units – The Rubix 22, 24 and the 44 all of which are designed with transparent, low-noise pre-amps and support for audio resolutions up to 24-bit/192kHz.

The Rubix 22 has 2 ins/2 outs, the 24 has 2 ins/4 outs and the 44 as you can probably guess has 4 ins/4 outs. All 3 interfaces also support MIDI I/O and feature combo jack inputs, Hi-Z inputs and headphones outputs. The 24 and 44 also feature a hardware compressor/limiter! A ground lift switch on the back should also help laptop users with ground loop issues. There’s a switchable power source on the 22 and 24 which allows you to power the interfaces with a USB battery when connecting them up to an iPad. The 44 does however require an AC adapter. The activity LEDs are visible from the front and the top of the units, making monitoring signal input from any angle very convenient .

Key Features

  • 2-in/2-out / 2-in/4-out / 4-in/4-out USB audio interface.
  • 2 / 4 low-noise mic preamps with XLR combo jacks.
  • Hardware compressor/limiter (Rubix 24 & Rubix 44).
  • Hi-Z input for guitar and other high impedance sources.
  • MIDI In/Out ports.
  • Extensively shielded, low-noise design.
  • Sturdy and compact metal construction.
  • Easy-to-read indicators show vital information.
  • Low latency, class compliant drivers.
  • Ground lifts for quiet operation in a variety of venues.
  • Includes Ableton Live Lite.

Info on pricing & availability yet to be confirmed.

Roland Hardware @ Scan